The coolest cameras I own.

Owning a camera store for 20 plus years put a lot of cameras into my hands. I always bought and allowed trade ins of used equipment. That resulted in my acquiring some really incredible cameras from throughout the history of photography. People would come in to my store with stuff from their grandparents’ house. One instance there was a former photographer for the movie studios that were near my store whose son brought in an old wooden 8x10 camera from the turn of the 20th century. I’ve been offered Leicas, Nikons, Hasselblads, Rolleis and more. The one thing I was never able to get over was my desire to keep these classics as they came to me. In the 6-10 years before I closed my store, I never passed on an opportunity to buy a Leica rangefinder and I would pay up to retail market value if I had to. I felt these were going to become so hard to come by and I didn’t want to miss a chance at one. I have no plans to sell any. I have no idea why. I can’t use them all. For years most of them have been locked away. In 2005 I happened to buy a really cool showcase that I could lock and I put most of the 35mm cameras I collected in there with a big sign saying “Not for Sale, owner’s personal collection.” Drove some people nuts. There are people from Japan that are voracious camera collectors. My store was well known for carrying used stuff and located near LAX so I got a lot of collectors in. “how much…how much?” they’d ask. Sorry, I’d say. Oh I loved it! To name the coolest cameras I have I’d start with three. I’ll tell you a bit about each of them.

Leica M3. Production began in 1954.

There’s no shortage of this camera in the world but it is what every hopeful photojournalist wanted for as long as I have loved photography. Holding one in your hands was feeling a machine that you knew was the same as what was used by every major influential photographer from the 1960s. Its design was instantly recognizable as the camera you'd see at every major news event of the time. The camera is compact but hefty. You can feel the precision in these cameras. The tight tolerances they were built to. And shooting one that happens to have a good lens on it…sharp! Amazingly Leica has kept their standards high and even today you cannot find a more finely crafted piece of camera gear.

Nikon SP. Production began in 1957.

More, better camera. The Japanese camera manufacturers were the first of their country’s companies that really made the effort to raise the quality of their product. As a child I understood items made in Japan were not very good. Cheap junk was what was said. The best cameras were made in Germany and the good everyman’s camera was American made. In the late 1930s Japan began making knock offs of the German Leica and Contax cameras. I’ve heard that with the onset of WWII, Germany shared manufacturing data with the Japanese so camera production could be curtailed in Germany to allow those plants to make precision optics for the war machine. The cameras Japan made were duplicates of the German cameras. Canon and Minolta copied Leica. Nikon copied the Contax. By the time of the Korean War the Japanese were making really fine cameras but weren’t recognized for their progress in quality. It was journalists and U.S. soldiers that began buying and using these cameras. The Nikon rangefinders had some unique features added to them that made them favorites. The SP was the most feature-laden camera of its time. It had two viewfinders that covered lenses from 28mm to 135mm. It took a motor drive. Most importantly it directly led to the development of the Nikon F SLR camera, arguably the most important 35mm camera to ever come out of Japan. Many of its features came directly from the SP.

Kodak Bantam Special.

The number of cameras designed to also be works of art (or fashion accessories) are few and far between. The trend is present today with colored cameras with slick designs but really they’re pretty at best but not very good cameras. Going back in time, many cameras were dolled up with fancy leather and special finishes and sold as special editions. The Kodak Bantam Special was a true jewel. Beautiful Deco design and precision construction. The only sad thing about this camera is they used a film format that was short lived, roll film size 828. An early attempt to make a camera as thin as possible. This camera came to market in 1936. It featured a remarkably sharp and fast 45mm f2.0 lens. Was extremely compact. Had a true rangefinder for accurate focusing. The lens folded into the camera making it truly pocketable. Look at the design. It’s more beautiful in person.

From time to time I’ll go into the cupboards and show you some other interesting items I’ve collected. If you have a question about an old camera you have, please ask me. If you have any camera equipment, modern or vintage, you want to sell please send me a list and I’ll make my best offer. So you know, pretty much any Kodak, Polaroid and old movie cameras will likely have no value but there are exceptions there too. If your Dad or Mom was a photography nut and spent your inheritance on their toys, there may be something in the attic that will pay you back. Go take a look. Till next time.

What about film?

Does film have any life left in it?

My first impulse is to say no. Digital is not only on par but absolutely amazing in the detail it can capture. I take my hat off to the thousands of code writers who brought digital imaging to where it is today. So quickly too. I am currently shooting with a Nikon D300 which replaced my top of the line Nikon D1x. The difference is astonishing. My D1x was troublesome, inconsistent and constantly disappointed me. Since I sell cameras, I get a chance to check them out and I liked the D2x, D200 and D80. I tried buying a used D2x online and was the victim of fraud. $2300.00 down the drain and my desire for a new body was on hold while I recovered from that hit. The Nikon D3 and D300 came out and I got a chance to play with them both. Man I wanted a D3 bad! Could not swallow the price tag and for me, having the top of the line has always been so important to me. Just because! I decided to go with the D300 and I am so happy with it. It's actually a better camera for where I'm at now because of its size and I have to admit having that little built in flash is really handy. OK enough for now about my camera. Film. What does it offer? I have heard so much about how film has more tonal quality and detail. That it's still unmatched in resolution. There is an advantage film has in that it can record from pure black to pure white without points along the curve that drop out. Digital sensors often have failure points. However this is unimportant a huge amount of the time.

What remains important about film?

The look! Images captured on film look different from those on digital. What film brings to the table these days is it is another media artists can express themselves on. In wanting to communicate in a way that sets you apart from the crowd, those who embrace film are like portrait painters who continued to work after photographers started taking over their business. There were subjects who wanted their likeness rendered in a different way. There still are. Then there is the classic experience of photography. In Woody Allen's last movie, Vicky Cristina Barcelona, the story includes a part where Cristina takes up photography using a digital camera. The artists she has hooked up with tell her to ditch the digital. Get a 'real' camera. Use film. Get into a darkroom. I have spent many hours in a darkroom. I'm glad for the experience. I felt akin to a long line of photographers from the famous to the friends in college I worked beside. It's a special place to be. Standing there in the smell of chemistry and a softly glowing orange light. Taking away the nostalgia though, Photoshop has provided me with more pleasure, fine tuning my images than anything I've ever gotten done in a darkroom.

I hope film doesn't go away or become so expensive it will become scarce. It is still the only media where what was seen was truly captured and is there for anyone to see, just by holding that negative and slide up to the sun. For the few days after the 'big one' (I live in L.A.) until the electricity comes back on, I'll be able to look at my pictures to pass the time. Oh yeah…I better make prints of my favorite digital pix too.

why blog, why now?

I have had an interest in cameras and photography for 37 years. I've been a photographer. I've sold cameras and taught photography to hundreds, perhaps thousands of people. I own cameras...a LOT of cameras. Too many! I love how they're made, the better ones I mean. I owned a camera store for 23 years. I closed it in 2007.
I'm attending a meeting to improve my skills in selling on the internet and on eBay. What impresses me are the people selling on the net who like talking to those with like interests and use blogs to do so. I'm told it helps with sales and creates relationships. This is what I did in my camera store for years. I know much about photography and camera equipment. Not everything but it is my forte. I have spoken to people who've said I communicate how much I enjoy photography in a special way. If I do, I'll try expressing it here. I'm gonna blog my way through it.